Close Looking, an ongoing series about individual paintings, process, and the ideas that move through my work.
Close Looking
Close Looking: No. 13: Yours Now
Strength and vulnerability meet in the act of facing what we’d rather avoid. Continue reading →
Close Looking: No. 13: Yours Now
Strength and vulnerability meet in the act of facing what we’d rather avoid. Continue reading →
Close Looking No. 12: Choice is Yours
We can be surrounded and still be separate. Choice Is Yours considers closeness, isolation, and the impulse to make contact even when something intervenes. Continue reading →
Close Looking No. 12: Choice is Yours
We can be surrounded and still be separate. Choice Is Yours considers closeness, isolation, and the impulse to make contact even when something intervenes. Continue reading →
Close Looking No. 11: Jelly
In Jelly, a central presence gathers from independent parts, carrying a sense of movement without revealing exactly where it leads. Continue reading →
Close Looking No. 11: Jelly
In Jelly, a central presence gathers from independent parts, carrying a sense of movement without revealing exactly where it leads. Continue reading →
Close Looking No. 10: Show Me the Way
In Show Me the Way, coming together and coming apart begin to resemble different moments in the same process. Continue reading →
Close Looking No. 10: Show Me the Way
In Show Me the Way, coming together and coming apart begin to resemble different moments in the same process. Continue reading →
Close Looking No. 9: The Kidnap
In The Kidnap, closeness and disappearance exist at the same time, with memory giving certain details more weight than they once held. Continue reading →
Close Looking No. 9: The Kidnap
In The Kidnap, closeness and disappearance exist at the same time, with memory giving certain details more weight than they once held. Continue reading →
Close Looking No. 8: Welcome Home
In Welcome Home, two opposing forms remain connected as balance, dependence, and support continually shift between them. Continue reading →
Close Looking No. 8: Welcome Home
In Welcome Home, two opposing forms remain connected as balance, dependence, and support continually shift between them. Continue reading →